Cultural icons as means of national identity building in post-Soviet Central Asia and the Caucasus
The project ‘Cultural icons as means of national identity building in post-Soviet Central Asia and the Caucasus: Case of Tajikistan and Georgia’ is based on the materials related to the artistic genres, originating in Europe, like opera, ballet, cinema and 3D visual art, but which were brought to non-Russian countries that happened to be part of the Soviet Union during their Sovietisation and Russification. This process is characterised by the main mantra of Soviet identity building, coined by Stalin in 1931, based on the merging of two qualities: “national in shape, socialist in contents”. This was successfully achieved due to the scientifically identified cultural icons of national heritage, as reflected in traditional arts and their ‘recycling’ for the new ideology.
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